Last year, The Nightmare Before Christmas was released as a special edition DVD, and along with it came a newly remastered double-disc soundtrack. The bad news? A handful of lousy covers from bands like Fall Out Boy and Marilyn Manson. Here's his version of "This Is Halloween":
The first YouTube comment for this video reads thus:
DarkDemonicMari (1 hour ago) Marked as spam
"omg, that was a great video. you did a really great job! I love how Marilyn see's things differently than everyone else, and how artistic he is. He really doesm't care what everyone else thinks about him, and I admire him for that. I also love The Nightmare Before Christmas. Having him sing that song just brought more, artistic-ness and creepiness to the song. I mean, it created a whole other darkness to the movie...I love it man!"
Is it just me, or does DarkDemonicMari sound like Manson's publicist presenting the ideal response to their little marketing venture? A little too giddy, if you ask me. Then again, her name is Dark Demonic Mari. And I find it funny that the song she heard provided more "artistic-ness and creepiness" to the original track, because the song I heard was silly, obvious, cliched, stupid and unnecessary. Kinda like goth culture as a whole. And it seems to me that if Manson "sees things differently" and "doesm't care what everyone else thinks about him," he would deliver a less predictable interpretation. And I won't even comment on Panic! At the Disco's version of the song, because it is bloody fucking awful.
If I recall, the lesson Jack Skellington learns in The Nightmare Before Christmas is that appreciation doesn't require appropriation. Jack hijacks Christmas, and after applying his own Halloween values to it finds that he's created something that bastardizes the essence of each world. He realizes that the idea of Christmas, no matter how foreign or different it appears to him, is valid and admirable in its own form and deserves to be left that way. Shame that Manson couldn't agree in regards to the soundtrack, which is already phenomenal without being dumbed down to the language of teen angst.
The problem I've always had with Marilyn Manson is that he speaks so eloquently about his art while his art tends to say nothing other than "Boo! Don't I disturb you?" In a way, like a musical Witkin. What I fear is that young people viewing Nightmare for the first time will go buy the soundtrack and forever associate the timeless story with these hardly-timeless bands. Hopefully, though, they will hear the bonus demos Danny Elfman recorded himself and understand that these songs, and this movie, are brilliant without distorted guitars, heavy drums and angry vocals.
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